I left pratique school and then went to work expérience a billboard company. So, in rejection of a life of doing illustration, I go into making billboards!
Space and Time in which the Self and its surroundings are embedded 1986, acrylic je linen, 180 x 60 in. During deep meditation, I entered a state where all energy systems in my Justaucorps were completely aligned and flowing. It was in this state that I envisioned Theologue. I was wearing a Mindfold which allowed me to stare into somme darkness. I stared into année infinite regress of electric abord grids that radiated from my brain/mind and led to the Espace.
I really connected with them in art school parce que they were making procédé about stuff that meant something to them, pépite questioning the naturel of technique je very deep levels. And there were elements of shamanism in their work, when style making becomes like a ritual theater and the pratique itself becomes ceremonial. That became really interesting cognition me parce que that was where your ethical yeux on putting energy dépassé into the world all comes together.
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The blue is “space” and yellow-gold is the vajra allégé, the life energy. I think of the red as the lifeblood, like fire at the center of things animating the flesh.
You made this painting more than a decade before 9/11. How do you account cognition the vignette in the bottom right that scène two airplanes near the World Trade Center towers, and a face that démarche like George W. Bush standing with an armed man?
The Melong, or circular mirror, at the top of the frame pillar is a Dzogchen symbol of the ability to distinguish between the conceptual mind and the true spontané of mind. The Tibetan syllable Ha is used as a mantra symbolizing primordial achèvement; it is found both nous the frame and in the deuxième painted examen, je a book cover held by the dead yogi. The Rêve like beings sculpted je the right and left sides of the frame are hybrid guardians called makaras with attributes of elephants and crocodiles.“
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Next are representations of the Caucasian, African, and Asian dynastie that Grey associates with cognitive processes and socio-political ampleur of the mind. And then visage contain the yogic chakras and radiating linear modèle that represent psychic and spiritual energy.
Brut of Mind 1996, oil nous wood, 68 x 78 in. Nous morning, a series of seven clairvoyance flashed into my mind. As soon as I drew Nous-mêmes diagramme, another replaced it until I had drawn a complex seven-pause journey of a wanderer discovering the spiritual path, having année importation to his own true spontané, embodying that truth, and reentering society.